DJI Osmo Pocket 4P: dual lens and 10-bit D-Log2 for the pro version
DJI presents the Osmo Pocket 4P at Cannes: two lenses, a 1-inch sensor, and 10-bit D-Log2 recording on a three-axis gimbal.
DJI officially presented the Osmo Pocket 4P on May 14, 2026 at the Cannes Film Festival in France. The stabilized pocket camera introduces a dual-lens system to the Pocket lineup: a main 1-inch type sensor and an x3 telephoto equivalent to 60 mm. No price or commercial availability date has been announced at this stage.
The Osmo Pocket 4P arrives less than a month after the launch of the Osmo Pocket 4, released in April 2026. DJI is adopting a two-step strategy: a consumer version first, followed by a pro variant. The three-axis gimbal, the 2-inch rotating touchscreen, and the four-pin rear connector are carried over unchanged from the standard model.
The positioning explicitly targets documentary filmmakers and independent cinematographers, a step above the typical "content creator" audience of the lineup. DJI cites its Ronin and Inspire platforms as technical references for this product. To compare this positioning with other compact cameras on the market, see our comparison tool.
Données
Key specifications
- Main 1-inch type sensor, identical to that of the Osmo Pocket 4 according to the manufacturer, to be verified in testing.
- x3 telephoto with an equivalent focal length of approximately 60 mm, sensor reported as 1/1.5 inch by one source (Android Authority), to be confirmed at the official announcement.
- 10-bit D-Log2 recording, compared to the standard D-Log of the Osmo Pocket 4, for more demanding color grading workflows.
- 4K video up to 120 fps on the main lens, based on the known specifications of the Pocket 4 platform.
- Three-axis gimbal retained, body identical to the Osmo Pocket 4 (144.2 x 44.4 x 33.5 mm, 190.5 g for the standard version).
Notre lecture
Spec → impact → verdict
The move to 10-bit D-Log2 is the real break from the Osmo Pocket 4: it opens up greater color latitude in post-production, where standard D-Log shows its limits in high-contrast conditions. The x3 telephoto at approximately 60 mm addresses a genuine gap in the lineup, which until now was limited to a 2x digital crop. The telephoto sensor specs and real dynamic range measurements remain to be verified in independent testing. This product will appeal to mobile videographers who were held back by the lack of optical zoom and the limited color grading workflow of the Pocket 4; it does not justify an upgrade for those who have no need for D-Log2 or a tighter focal length.